Posing As Progressives

Gail Dines: The New Mary Whitehouse

Gail Dines: The New Mary Whitehouse

It’s been one of those weeks when I fall out with some of my, usually friendly, followers. When you’re a leftish political blogger, there are safe things to write about, and things you shouldn’t mention. Social equality, fairness, child poverty, saving the NHS, racism against non-whites, attacks on women’s rights, climate change, corporate power; these are all things that I know I can tackle without dissent from others on the left. There will be, of course, attacks from the right, but those are bread-and-butter. We can all unite and enjoy rebutting those. Career tip: if you want to become a Labour parliamentary candidate, and you write the occasional column, but don’t want to ruffle feathers? Stick to these subjects (no names mentioned).

Then, there are the subjects that confuse many on the left – so they generally don’t mention them, for example: racism by non-whites, domestic violence against men, use of the word “cunt”. And of perhaps most of all, sex. Sex, being the subject that raises the most primal feelings in us – whether negative or positive – divides all parts of the political spectrum. The left has a series of simple check-boxes to guide it through this minefield: Gay rights? Approved. Abortion rights? OK. Rights for sexual fetishists? Erm… Union rights for sex workers? Sounds of left-wing heads exploding.

Now let’s turn things around for a moment. If you were a social conservative ideologue, in Britain, in 2013, how would you go about popularising your ideas? This would be easy enough in America: you say that public nudity is immoral. Because the Bible says so. You say that Muslims are bad because… well, they’re not Christians are they? But things aren’t so easy for the British reactionary. The British have largely abandoned religion – at least, the type you actively believe in. So what would you do? You’d do what clever reactionaries do: adopt progressive camouflage.

Both sexual morality groups and racist bigots have successfully adopted this approach, and in doing so, have blended into the liberal mainstream. The last well-known sexual morality group was Mary Whitehouse‘s National Viewers’ and Listeners’ Association (now known as Mediawatch UK). This made some headway in the 80s, before being laughed off-stage in the more relaxed 90s. Taking note of this, the new moralists took a leaf from an American lawyer called Catharine MacKinnon. MacKinnon came from impeccable right-wing stock – her father was a right-wing Republican Senator. In the 1980s, MacKinnon (with her sidekick Andrea Dworkin) took a sexual conservative message, wrapped it in superficially feminist language, and succeeded in fundamentally splitting the feminist movement in two – a divide that has existed ever since. The MacDworkinites did more damage to feminism than any misogynistic man ever could.

The MacDworkinites are going from strength to strength. MacKinnon’s natural successors are Gail Dines – a deeply reactionary anti-sex activist who campaigns for media censorship and a ban on sex work using feminist and Marxist language, and a number of conservative groups, self-labelling as “feminist”. The best known MacDworkinite groups in the UK are Object and UK Feminista – who will be familiar to regular readers of this blog. The latest to appear on the scene is the current campaign against the topless photo on Page 3 of the Sun.

It’s amazing what a small shift in vocabulary can do. Because the MacDworkinites refer to themselves as “feminist”, then anyone who opposes them must be against feminism, right? It’s sad that sections of the left are so easily fooled, but indeed, the strategy has worked impeccably. Are these groups actually a conservative offshoot of feminism, or conservatives who have infiltrated feminism from the outside? It doesn’t matter – that’s a simple matter of classification. You can call them anti-sex feminists or anti-sex “feminists” – either way, they are reactionary. The early second-wave feminists implored women to abandon their bras. These new groups beg women to put their bras back on.

The same methodology has worked wonders in demonising Muslims in secular Europe. Far-right pundits like Pat Condell attack Muslims – not from a religious perspective, but from an atheist one. Muslims are, (they say) “less civilised” than we, secular European are. They chop off heads and run kebab shops in London (of course, the Muslims cutting off heads aren’t the same ones selling kebabs to drunk Brits – but who’s counting?)

Such gullibility on the left saddens me. Both left and right have become riddled with conservatism, and well-meaning people have swallowed this reactionary propaganda. Meanwhile, Object’s attacks on women sex workers continue – supported blindly by middle-class women who think sex work is common and icky. And atheist fascists like Condell convince atheists that attacking minorities is OK – if it’s done in the name of Enlightenment.

The alternative is what I’ve labelled Social Libertarianism: social democracy combined with an unshakeable commitment to free expression, free speech, freedom of religion and sexual freedom, and an equally tenacious opposition to all forms of censorship. It’s not new – it’s what the left used to stand for.

Blaming Women For Rape

The skirt is no excuse to rape - neither is porn

The skirt is no excuse for rape – neither is porn

This blog recently carried an article by Edie Lamort on the current moral panic about pornography; here’s another article on the subject. This is no accident – most people will have noticed a sharp rise in scare stories recently about porn, nude imagery, strip clubs and “sexualised” imagery in the media. The stories are the result, not of actual problems or any evidence of harm, but of widespread, well-organised campaigns by authoritarians to increase censorship of the media, and in particular of the Internet.

I won’t revisit the evidence here – but in summary, there is no solid evidence that erotic imagery leads to harm against women or children: in fact, the reverse is true. This, of course, doesn’t deter the anti-sex, pro-censorship campaigners in the slightest. They have no interest in whether porn is in fact harmful to women – their end goal is for censorship and control of sexuality, and in particular, female sexuality.

You may remember the birth of the Slutwalk movement about two years ago. This was triggered by a Toronto police officer who suggested that, in order to avoid rape, women should avoid dressing like “sluts”. The outrage that this victim-blaming caused led to the birth of Slutwalk in Toronto and then globally. A huge, young feminist movement took to the streets proclaiming the right of women to be sluts, without either being judged or raped.

I was a great supporter of Slutwalk; not everyone was though. The anti-sex feminist campaigner Gail Dines, for example, thought that women were misguided in trying to reclaim the word slut, and said this would “make life harder” for adolescent girls. This was typical of the clashes between the anti-sex and the sex-positive wings of feminism.

Today, another policeman tried to avert the blame for rape away from the rapist and onto women. This time though, unlike in the Toronto case, he was strangely applauded by some women. In a Daily Record article entitled More women will be raped if online porn isn’t tackled, Assistant Chief Constable Malcolm Graham made an explicit link between porn-viewing and rape.

This, of course, is victim-blaming; but it’s a little more subtle than the Toronto variety that launched Slutwalk. Instead of saying that a rape is the fault of the woman who is raped, it claims that a rape is the fault of women who appear in porn, and thus incite men to rape. In both cases, women who dare to bare flesh in public are being blamed for the act of a rapist.

This logic is the same as that used by orthodox Jewish, Christian and Muslim sects, especially the Wahhabi Muslims, who cover women’s faces with niqabs “for their own protection”. The logic, whether blaming a woman for her own rape or blaming porn stars, Page 3 girls and strippers for another woman’s rape, is identical. The very sight of female flesh, we are told by the policemen, conservative feminists and religious fundamentalists, incites men to be rapists.

I’ll repeat: there is no evidence that this is true; indeed, evidence from studying rapists shows the opposite: that rapists tend to have repressed sexualities. Rather than enjoying porn, they are likely to find it disturbing. An article in Psychology Today entitled Sexual Repression: The Malady That Considers Itself The Remedy makes this point well: sexual repression, far from being blamed for sexual problems, is touted as the solution: Lengthen that skirt! Ban Page 3! Porn leads to abuse! Strips clubs lead to rapes! In every case, women are blamed for rape, and men are considered stupid creatures who, having seen a nipple or a vagina, cannot stop themselves from attacking someone.

So let’s remind ourselves: when a woman is raped, it is not her fault. Nor is the fault of the girl who appeared on Page 3 that morning. Nor is it the fault of the woman who chose to make a living by having sex on camera. It’s the fault of the rapist. The fact that a police chief has chosen to lead a morality campaign against porn is very disturbing. Police in free societies should have nothing to do with the consenting sex lives of adults. Stalin, Hitler and other dictators carried out conservative morality campaigns against their populations. Women did not benefit from these.

If we want to remember what pre-porn Britain was like, just look at the emerging facts from the Jimmy Savile case. Is that an innocent, “unsexualised” world that we should return to?

My First Strip

silhouette-of-stripper-on-a-pole_17-1120222452Once again, we are delighted to welcome our striptease correspondent Edie Lamort. You can follow her on Twitter here: @EdieLamort

Something occurred to me last summer after phoning up a radio talk show and commenting. It was in the wake of a Cornish policeman accusing lap-dancing clubs of increasing rape and the controversy it had caused. There were the usual prohibitionists on the line so I called to put the other side of the argument. I was trying to make the point that this way of thinking gave excuses for criminals and rapists. It allowed them accuse society and sexy women as the cause of their crime rather than to take personal responsibility. It also ran the old-fashioned narrative that the victim of rape is somehow to blame. Just a bit of good old-fashioned slut-shaming.

During the conversation, I had to keep asking the radio presenter to get back on to the subject at hand, because he was interested and wanted to know a lot more about the job. He asked about the money, the customers and how I felt doing my first strip. I gave some vague answers but was a bit puzzled as to why he was so intrigued about my first strip. It did make me wonder as it’s not the first time interviewers have strayed from the subject matter and quizzed me like this. They all ask about your first strip and to be honest I don’t really think about mine.

Why do they ask? I think it’s because there is a general perception that this job is not something you would choose to do and therefore you must have fallen into it or happened upon it. Do they think that one thing led to another, and before you know it, you’re on the slippery slope towards stripping? That it was forced on you and suddenly, before you could stop it, you were naked on stage? That it was not a personal decision? That you somehow took the wrong turn and did something you never expected to do? Or is it because we are all voyeurs? Even those who clutch their pearls and gasp, yet still want all the details?

I began stripping in San Francisco and it was a personal decision that I pondered for a while. I’m sorry to be boring but I am quite a pragmatic and analytical character. I ruminate on a decision for a while and I am not very impulsive. I am methodical about things and it takes me a while to settle on a decision. This is because once I do it is firm and I stick to it.

I decided to dance for a number of reasons, money obviously being one, but freedom and creativity being others. So I went to talk to a dancer that worked around the corner from the restaurant I was working in. I asked her many annoying questions and got lots of information about different types venues and where they were. Then I began a tour of the venues. Going into them one by one and telling them I was looking for work. They were all very nice and polite and showed me around. I spoke to the girls, watched stage shows and checked out the dance booths. They told me all about the fees and security protocols and how the shifts worked.

After this tour I decided on the venue I wanted to work at. I called them up and booked an interview with the house mom. She gave me a lot of advice during the interview and booked me in for an audition. She also gave me a few addresses of shops where I could buy my new work uniform; a long gown as it was an upmarket club, some T-bar panties (not G-strings – too crude apparently) and a couple of bikini sets. She then gave me dancing advice and we watched a few shows together. She explained floor work was important and to move slowly as it was more seductive. The whole interview process took a long time and I found myself getting a little impatient with it. I wanted to start work.

I returned the next week with my recommended outfits and settled into the changing room. I made up my face and put on the long red velvet gown over my underwear set and pasties. It was California over a decade ago and we had to follow strict protocol as you do in any licensed venue. We had to wear pasties over our nipples, along with the t-bar panties, and could only remove them in the last 30 seconds of the strip. Everything was quite controlled and tame really.

When I did my audition I was concentrating on the things she had told me to do, hoping I got the job. I chose middle of the road music and kept it fairly straight. The quirky, creative, more rock n roll part could come later. You don’t go to an interview in your wildest outfit after all. It was all over very quickly despite being about five minutes and my main focus was on perfecting my new craft. Moving slowly, feeling the beat, moving my hips and remembering all that poise I’d learnt in dance classes as a teen.

I got the job and was given a month of lunch shifts so I could get used to the stage, the dance and how it all worked. This next month too consisted of me learning the ropes, and that really was my focus, to learn my new craft and make it my job. Towards the end of the month the house mom came on to the floor during one of my lunch shifts and watched a few dances. She smiled and told me I’d improved a lot and seemed so much more natural on stage. This meant I could be moved on to a full rota, which would include evening shifts, and that I had passed my probation. This was great news because I had plans and savings goals that could now be achieved.

No one forced me to do this; it was purely a personal decision. I didn’t tell any of my friends, or colleagues from the restaurant, that I was doing it either. This was because I wanted it to be my decision and was worried that they would worry and panic, clouding my view and effecting my decision. Also it is not information that you can give to freely due to the social stigma so you have to be careful who you entrust with it. Even after I’d left my former job and started stripping, I gave some friends vague answers about ‘working in a bar’. I needed to make sure they would be ok and I wouldn’t get strange reactions. People will either think it’s disgusting, try to save you or ask a hundred bizarre questions. I was comfortable with the job but cautious in regards to the reaction of others.

Over time I learnt whom I could trust and began to be more open. The standard social narrative swings between ‘poor victim’ to ‘evil slut’ so it’s hard to have a normal and open conversation about this. That it is just people making a living. It is also people doing a lot of other thing besides dancing. You never know, you may work next to someone who dances at the weekend. Or one of those mums you chat to at the school gate so politely with, well she might have a pair of stripper heels in a bag ready to work. Or the friend of a friend that you think is really sweet may be checking in for her shift tomorrow night…

 

Why I object to Object (and all the other prohibitionist groups)

Our striptease correspondent Edie Lamort takes on the anti-sex “feminists” who attack and want to censor what she does. Edie is now on Twitter and welcomes discussion and feedback.

We live in an increasingly puritanical age. The party of the Noughties is definitely over and times are tough. Words such as ‘objectification’, ‘hypersexualisation’ and ‘pornification’ are thrown around in an accusatory manner. Like a baying mob in a medieval court crying ‘Whore’ or ‘Witch’ creating an atmosphere of fear and guilt. This lexicon of fear is now frequently drawn upon by our media in a childish effort to explain all our social ills but it doesn’t quite work. There is something amiss, something that doesn’t quite fit.

I am a stripper and I am told that my work ‘objectifies’ me and, as a consequence, all other women, but I’m always puzzled by this denunciation. It seems to be an immature and one-dimensional way of describing human interaction. When I’m at work I interact with all kinds of people as a human being. Of course some groups of guys are drunk and immature but most aren’t, that is more to do with group mentality than what they really feel about us. In my job I meet many people from all ends of the social spectrum and people react in different ways. How you view something is based on your personality and your life experiences. On the whole the audiences in strip clubs are fun and as a performer I enjoy playing up to that. If I am viewed solely as an object then why do the customers want to talk to me? This does not indicate ‘objectification’. Yes they are visually stimulated but we all are and I regard it as one facet of communication and understanding. We’ve all heard the statistic that over 90% of communication is non verbal. Human interaction and discovery happen on many levels so that of course includes the visual level. In a split second we make a multitude of judgments and opinions.

A key word here is performer and one reason why it is so important to stand up to anti-sex ‘feminism’. I strip but I also do other things. I have always been in bands; playing guitar and singing. I have performed Burlesque and been a session singer. I have been on tours of the country and performed at festivals, been on TV and radio and I am once again viewed on many levels. I am hated by some and liked by some, depending on their personal triggers. Some like the music, some are just checking out my cleavage. Some of the girls tell me I’m inspiring, others hate me and won’t talk to me. It’s more about them than me. I find it strange to say one form of performance is so very different from the other.

Censorship is dangerous and it has gotten to the point where my job now feels like a feminist statement. Something necessary and important to maintain. Stripping and all the Erotic Industries are like the canary down the mine in terms of freedom. If we go, you’re next. We are like the first line of defence and it worries me where it will lead. These ‘feminists’ are winding back the decades and need to ask themselves ‘where does this end?’ It seems very strange that they want to encourage slut-shaming. If stripping is banned and even made illegal then what will be the next target in their sights? Burlesque and Pole dancing are the obvious next steps along with Page 3 and music videos. Then what will be attacked after that? Edgy theatrical performance such as many Matthew Bourne productions? After all, they are sexual. Then will we regress back to the days were a woman couldn’t walk down a street with a short skirt because she’d be called a ‘tart’? If we go, you’re next; the walls will close in around you too, to the point where the prohibitionists will eventually find themselves in the cross hairs. Censorship is a dangerous road.

I find these anti-sex ‘feminists’ quite fearful and paranoid, in stark contrast to my stripper friends who are bold, witty and strong. If you can strut your stuff on stage and captivate an audience you most definitely have an ego! I know I certainly do. We are told we must have low self-esteem but in fact I hold myself in quite high regard. I’m not fashion-model-perfect, I’m getting a bit of cellulite and I have a varicose vein developing on my lower left leg but I don’t care. I still think I’m sexy and I know how to work an audience. I spend time practicing on the pole and making costumes; I want to be looked at and for my efforts to be appreciated. New art forms begin in the ‘deviant’ subcultures and it is where boundaries will be tested and new ideas will develop. It worries me deeply that these groups feel it’s OK to attack a female art form. Pole and neo-Burlesque have evolved from the creativity of strippers.

They attack those who are unrepresented as they are fearful of taking on real institutions of inequality. For example they tiptoe around tackling religion. Campaigning against a strip club is easy for a number of reasons. You have a lot of social prejudice on your side and many dancers also have other jobs, are studying or have family commitments. The stigma prevents them from speaking out, as they must maintain their cover. I know part-time strippers who are also doing office jobs, who are training as paramedics, who are working as nurses and in various other jobs. They are unable to ‘come out’ for fear of losing said other job. For this reason too there is a lot of ignorance about the dancers and the job, and it is easy for prohibitionists to prey on established fears and prejudices.

What groups such as Object do is polarize the debate and this again is very frustrating. It is thrown to either extreme of ‘ban everything’ or ‘save everything’. These groups have created an atmosphere where no one can raise any problems or ‘out’ any bad management due to the fact that it will be used as ammunition against all of us. This should be an issue of workers rights not a moral panic. If there are any problems, such as stage fees being too high, it should be treated as an employment issue. Fair working practices should be encouraged and enshrined in law, rather than a hysterical moralistic response, where the only solution given is an out right ban. I would encourage strippers to join a union such as Equity or GMB so the debate can be refocused on to workers rights.

Ironically their campaign reinforces an old and outdated view of women and if they succeed it will make things more dangerous. What can be achieved by censorship and winding back the decades? One of the most important social advances of recent decades has been the sexual emancipation of women and as a direct consequence of this; men, gay, lesbian and trans-gender people in our society. This is a very important step and one to be defended strongly against those who would take it away from us. Women’s sexuality and sexual expression is something that has always been feared and suppressed, and a woman challenging this is always derided. Remember Madonna in the 80s? She provoked outrage by being in command of her sexual self and expressing it.

This conservative view of women will drag us all back to a more uptight and dangerous society. One of the most dangerous things about the current crusade against strip clubs is the way that it perpetrates divisive ideology regarding women. Harking back to the days of women falling either into the category of ‘good woman’ or ‘fallen’, the Madonna or the whore, rather than many millions of individuals with a variety of needs and desires. This pseudo-morality makes life difficult and dangerous for those of us who are different and would fall into the ‘bad woman’ category. It also gives misogynists license to abuse and blame the existence of ‘bad’ women for their actions. The control of women’s sexual expression is at the heart of patriarchy and oppression, which is ironically what the prohibitionist ‘feminists’ want to do. If all strip clubs were banned tomorrow would that end rape? Definitely not. In fact it would be counter-productive as it would reinforce negative stereotypes and make sex more hidden and shameful. This is a social purity campaign dressed up as feminism.

In a recent article Kat Banyard of UK Feminista spoke in general about all the numerous things she disapproves of including the Dove commercials. The tone of her argument began more and more to sound like a condemnation of idolatry, the worship of images, with very religious tones. I think most people have more of a sense of balance than she gives them credit for. It ended up sounding like she’d prefer women to be covered or hidden, the thread of this thinking runs all the way back to religious controls, centuries back. This is not progress at all, this is a very old fashioned view.

There is also a very myopic obsession with females in the Erotic Industries and when you ask them about males they avoid the question. Difficult questions are always avoided by these groups. It is a moral panic that focuses only on women being looked at by men. What are their views on gay clubs that feature striptease? I have danced for gay women and there are male strippers. Why is this not attacked with the same vehemence? It seems to be very disproportionately aimed at keeping women ‘pure’ and a poorly concealed hatred towards heterosexual men.

The people who patronize us the most are in fact the ‘feminists’ who wish to outlaw us. If anyone objectifies us it is these people. Our opinions and decisions are not considered to be worth listening to. If any stripper, sex worker or adult film actress tries to explain the reasons they do their job they are told they are institutionalized, have Stockholm Syndrome or are too stupid to understand what they are saying.

When a small group of dancers went to parliament during the consultation of the Policing and Crime Act of 2009, that introduced the nil policy legislation, one of them tried to speak. She tried to explain to the panel that she enjoyed her job and was fine. She was displaying a contrary viewpoint that was incompatible with the ideology of the ‘debate’. This obviously riled the ‘feminists’ on the panel and they dismissed her opinions. Similarly on a radio show debate a dancer was dismissed with the comment, ‘Oh you must have been abused.’ If you do not parrot the correct ideology, you will be persecuted by these groups, and they can be very vicious.

The current left wing ‘feminist’ movement is something that dismays me and my experience of them has been shocking. Instead of being progressive and open-minded they have shown themselves to be infested with busybody, neurotic, hand-ringing, middle-aged, middle-class, academic ‘feminists’ who judge and prohibit. When was it that the left became so Victorian? How did that just creep up and where do you go from here? A few months ago I was speaking to a friend about this. She’s quite an extreme performance artist and she mused that there needs to be something new. ‘I don’t know’ she said, ‘something beyond what is now called feminism. I’m going to call myself a Femfuturist! Like a feminist but with out all the issues around sex.’

Porn stars Aren’t Damaged Goods After All

I recently published a podcast featuring interviews with seven British porn stars. The idea for this had been generated several months earlier, when I was confronted by a variety of so-called progressives demanding I accept that pornography was “exploitative”. Knowing some people in the sex industries, I was sceptical. In my experience, those who attack the sex trade, in any form, tend to be more concerned about the “sex” part than the “trade” part.

Having been told that the trade exploits and abuses women (not men apparently – just women), I tried to respond, but was informed that, as a man, my views on sexuality are not to be trusted. So instead, I went to meet and interview female porn stars; I naively thought that perhaps, the voices of women who know the industry first-hand would change the minds of those who hate what they do.

If you have a spare hour to listen to it, please go ahead. It’s available on this blog, or as a podcast for download.

Today, one of the women I interviewed sent me a link to the Independent newspaper; finally someone has scientifically studied the feelings of the women themselves, and the results confirm what I was told during the interviews – porn stars are happy with their work, and don’t do it (as moralists assume) to make up for childhood abuse or other bad experience. In a nutshell, they get paid (plenty) to do what they enjoy doing.

The link came along with the following words:

Hurray! A positive article for a change!! X

This won’t sway anti-sex feminist groups like Object or UK Feminista; but it may at least help those poor liberal-minded guys n’ girls who enjoy porn, but feel guilty about it.

Excellent Video on “Objectification”

I’ve previously created both blog posts and podcasts covering the O-word. In a nutshell, I’ve concluded that this term is almost always meaningless; I’m supported in this view by the fact that I’ve never encountered anyone who talks about objectification that can articulately explain what the term actually means. It appears to be little other than a new, “liberal”-sounding excuse to attack sexuality, and in particular, female sexuality (after all, fans of “Objectification” seem to have a shared goal in getting women to cover themselves up; they don’t seem to care much about naked men).

Today, someone forwarded me this excellent video on the subject – it’s worth a view.

The “Evil Menace” of Page 3

Because nipples corrupt the morality of our youth. Or something.

It shouldn’t need stating that many social conservatives have a big problem with nudity.

Mankind did, of course, start out naked – and in the benign climate of the African tropics where we began, there was little reason to change that. But human expansion into colder regions required the invention of clothing (the needle and thread were invented in Europe around 15,000 years ago), and once invented, taboos began to develop around nudity, especially in Europe. It’s no coincidence that chilly Britain (and its diaspora in North America) still has problems with the public baring of female breasts.

When the British were finally reunited with their African cousins, 70,000 years after their ancestors had originally left Africa, they noted that nudity was commonplace. They of course concluded that this was due to Africans’ lack of civilisation, and set out to “civilise the savages” by persuading them to cover up. Later, the Victorians hid away nude artwork (or pornography, as its detractors might have called it), and the sight of a female ankle was met with disapproval.

The social and sexual revolutions of the late-60s to early 70s challenged British attitudes to nudity. The youth of that time challenged the attitudes of the conservative post-war generations; in 1970, The Sun newspaper began to print a daily topless photo on page 3; today, the very phrase Page 3 is synonymous with topless photography.

The Sun’s move was cleverly timed to capture the zeitgeist. The decision to publish topless photos was a radical one, and of course it was designed to cause controversy, which in turn would create publicity and drive sales. But the old British fear of bare breasts was never far from the surface, and Page 3 generated a moral backlash. Campaigners in the 1980s tried (and failed) to get it banned.

Now, in this newly conservative era, yet another campaign to end Page 3 has surfaced. This time, it comes armed with new language. Instead of screaming that the morals of Britain’s youth are under attack, the campaign wields its favourite buzzword: “objectification”. The benefit of objectification (from its advocates’ point of view) is that it’s effectively meaningless. The idea is that someone who opens The Sun and sees a topless woman thereby becomes corrupted to view all women as “sex objects”, and incapable of viewing women in other roles.

The problems with this idea are numerous: for a start, who says that a woman who poses topless is a “sex object”? The “objectification” brigade seem to have little respect for the women they pretend to defend. And do they really believe that the men (and, yes, women) who enjoy Page 3 are so stupid that, having seen one woman pose topless, they think all women must therefore do so?

“Objectification” only applies in sexual situations; it is a coded attack on sexuality. Just as the conservatives of Victorian times feared sexuality, and tried to suppress it, so the conservatives of today try to suppress sexuality, and rationalise their irrational fears by trying to find harm… harm that only exists in their fearful imaginations.

If there’s irony in “feminists” allying themselves with the religious right’s quest for “morality”, they fail to see it. They claim to disapprove of the way women are covered up in conservative Muslim societies, yet their own beliefs stem from the same basic idea: their reasoning may vary, but their dogma is the same: female flesh must be hidden from weak, stupid men.

The arguments used against Page 3 are beyond moronic. I haven’t yet seen a single intelligent attempt to explain the backlash, just angry shouts that “Page 3 is a backward relic of the 1970s” and similar (the depiction of naked women, by the way, has a far older pedigree than the 70s). And as for objectification – I’ve tried for several years to get a coherent explanation of how it’s actually supposed to operate, and have yet to see one (if you think you can remedy this, please do write it in the comments below).

The campaign has attracted pro-censorship morons from both left and right. When so-called Marxists find themselves in agreement with religious conservatives, they should perhaps decide whether their views are really about “protecting women from objectification”, or whether they’re not quite as radical as they think.

I should point out that I think The Sun, purchased by Rupert Murdoch in 1969, is a detestable rag, and I’m pleased to say I’ve never purchased it in my life. It has been guilty of frequent racism, homophobia and sexism. It helps spread right-wing, nationalistic propaganda through British society, and has been at the forefront of disseminating anti-EU lies. Nor do I find Page 3 interesting – its photography is dull, and its choice of models is narrow and predictable. But do breasts damage society? No more than ankles were a threat to the stability of Victorian Britain.

Sure, it would be nice if there was more diversity on Page 3 – why not feature men as well as women? How about trying out larger, older or disabled models? If The Sun still had the radical edge it did in 1970, it might be brave and try these things out. But The Sun, like its feminist opposition, has stagnated and become conservative over the past four decades. The inescapable fact is: Page 3 sells papers. If it didn’t, it would vanish.

We British find breasts fascinating only because our society has a taboo about the baring of them in public. When we finally outgrow that infantile fear, we will cease to find Page 3 interesting. Until then, nipples will equate to sales, and Page 3 will live on.