I’ve blogged previously on some of the moronic theories surrounding Afrocentric thinking; this image, liberated from Facebook, illustrates one of my favourites.
Like many nonsensical ideas, this is based on a grain of truth: some European artists did paint Jesus as white, and often blond with blue eyes. There are two main reasons for this, the first being simple ignorance; the second being that the Vatican, on a relentless mission to persecute Jews, tried to hide the awkward fact that their Messiah (if he had indeed existed) was a Middle Eastern Jew.
From the Afrocentric perspective, the inaccurate depiction of Jesus as a northern European could only mean one thing: yet another white conspiracy to steal the true history of the black man.
The top two pictures seem to based on a moronic misreading of Revelation 1:14-15:
14 The hair on his head was white like wool, as white as snow, and his eyes were like blazing fire. 15 His feet were like bronze glowing in a furnace, and his voice was like the sound of rushing waters.
So the designers of this image have decided that “hair white like wool” means Jesus sported an afro (they’ve obviously never seen a lamb) and “feet like bronze glowing in a furnace” means he had dark skin (they’ve obviously never seen molten bronze either).
This leaves the map, which is deliberately misleading. The continent of Africa is shown, with an inset showing the Middle East (which isn’t in Africa, although it is adjacent to Egypt).
This is about as nonsensical as conspiracy theories come, and incredibly easy to pick apart. So why do people believe it? This theory results from the collision of two strong and conflicting memes. The African diaspora has experienced incredibly brutal treatment from white society, but also received Christianity from whites. The impulse to separate the two is natural. Perhaps it would be more intellectually honest to reject Christianity altogether; many have of course done so. Some have adopted Islam (though this comes with the problem that it, like Christianity, originates outside Africa). Others have tried to adopt African animist beliefs, but this is fraught with difficulty. Animist belief varies widely from place to place in Africa, and has only been documented in recent centuries. Of course, adoption of Atheism may resolve much of this conflict, but is a step too far for Afrocentrics raised in strongly Christian homes.
Unfortunately, the teaching of myth as history is strong in the Afrocentric tradition, and it perpetuates rather than resolves the problems faced by the black diaspora in Europe and America. Teaching black children to adopt evidence-free dogma, rather than scientific reasoning, relegates them to the educational second ranks in Western society. Teaching a child to question, to look for evidence, and to keep an open mind, is essential to success in a modern, rational society.
The saddest thing of all is that, rather than celebrate the true strengths of African civilisation, which are unique, the Afrocentrics try to impose Western measures of success on Africa, and end up looking foolish in the process. The painting of Jesus (essentially a Roman invention) as a black man is a great example of this.