Porn in a Puritanical Age

As the EU Parliament prepares to vote to censor any content that might “demean women” (whatever that might mean), feminist and stripper Edie Lamort writes about the good side of porn, and the dangers of censorship.

International Women’s Day has rolled around again and thankfully it has not been quite so negative this year. I was appalled at the ‘victim fest’ I endured last year at the Women of the World Festival in the Southbank Centre. Although the Guardian indulged the usual insecurities that it believes defines womanhood. Blaming individual body issues firmly on ‘sexist media’ and terrible pressures from the wicked evil world of ‘patriarchy’. 

This my dear readers is not the full picture as it ignores the family environment. Now I’m lucky in the fact that my parents told me daily that I was a beautiful person. This has fortified me in ways I am eternally thankful for. I’m sure I will still think I’m hot even when I’m 70, legs warped by varicose veins and face wrinkled like a prune. It is why I roll my eyes when I hear these constant declarations about female body insecurities, from our ‘feminist’ opinion formers and politicians, and why I find the bleating about Page 3, porn and strippers to be ridiculous and unbearable. Positive reassurances from your loved ones are the most powerful messages, and if you have that, all the porn and advertising in the world will not undermine you.

However this paranoid and misplaced blame for all the world’s ills still motivates many of our dear leaders. The latest episode of madness comes from Dutch MEP Kartika Liotard who seeks to impose “…statutory measures to prevent any form of pornography in the media and in advertising and for a ban on advertising for pornographic products…” Effectively banning all porn in the European Union. An extremely totalitarian move, that feels like some kind of Soviet era diktat.

Besides this being an outrageous affront to freedom all round, I feel this line of thought is horribly misguided. Yes there are many reasons that this censorship should be stopped in its tracks; freedom of speech, the fact that our liberal democracies have the best track record with female emancipation due to our openness around sex, that porn demystifies the feminine mystique, the fact that these censors wilfully ignore amateur and gay porn and finally; I’d also like to suggest that porn is good for you.

Yes porn is good for you and for society at large. I have recently come across an interesting Agony Aunt called Rachel Rabbit White who regularly advises her confidants to explore their fantasies using porn, even celebrating an annual Lady Porn Day. A woman writes in concerned at her new boyfriends interest in porn featuring older men with younger women. Now instead of shrieking ‘pervert’ Rachel Rabbit asks them to explore the subconscious reasons for this. She wonders if it is to do with breaking taboos? Or is he trying to reassure himself that he is still attractive?

She then addresses what lies behind females watching rape porn and having related fantasies. Rather than having a horrified, knee-jerk reaction she tries to find out why. What part of the BDSM world could she be attracted to? Is it about finding the strength and maleness extremely erotic and actually feeling safe with it? For many women it is being desired by someone so much that they are out of control. Being the centre of their world. Of course this is fantasy and very far removed from the realities of actual rape but here we can use porn as the starting point to explore these fantasies. Acting them out in the safety of a loving relationship.

She also answers a worried male viewer who identifies as straight but finds himself turned on by Bukkake. That is when a group of men ejaculate over a woman. This man finds himself fantasizing not about coming on a woman but being the recipient. He stresses that he’s never felt attracted to men so is worried about this urge. Rachel Rabbit then explores the macho environment that boys grow up in and how this could lead to a fascination with semen. That it’s probably quite a natural thing for males to be intrigued by something that is an almost daily emission. Therefore there is an element of fetishizing semen in male macho culture. She also wonders if he is somewhere on the bisexual scale despite being in a straight relationship.

So the viewer’s tastes in porn are treated as a doorway to their subconscious and a way of exploring sexuality in a safe environment. A method of psychotherapy, of analysis, that can result in valuable insights and self-awareness. It’s also a way to pick up handy hints and ideas to spice up your sex life. If it has become vanilla and everyday, porn can be a reference for creativity. Couples can explore BDSM together; some watch gay porn (not that they will ever have real gay relationships) and their sex life can be enriched with anal play. It’s about having a positive outlook on the fantasies you have, and discovering what lies beneath them, as opposed to feeling shame. What is it that turns you on in a scene? Is it the taboo of something you’ve never been permitted to do? Is it about restraint and role-play? Is it gender bending?

A recent study also showed that men who watch porn were more in favour of gay marriage. Reasons included how they had become used to seeing other men’s penises in heterosexual acts and therefore the shock factor was diluted. Also that in exploring their own sexuality they were more likely to be accepting of other less traditional sexual situations. That in the main, those who watch porn have a more open mind towards sex. So there’s another positive aspect porn.

And what of the women I hear you ask? Commercial porn is a very well regulated industry with actors and actresses documented and regularly tested for STIs. Feminist porn director Anna Span described to me how the performers she uses must all show their passports, have their photos taken holding their passports to show the pictures match, and store these photos on record permanently. UK producers must conform to the US 18 USC 2257 law, otherwise they cannot sell their content across the Atlantic. The porn industry has already pre-emptively dealt with child access issues by developing a web site labelling system known as Restricted To Adult . This embeds a code into adult material so that online filtering tools can easily identify porn and stop children accessing it. In terms of health all producers demand certificates and check for fakes. Porn performers must have health checks every 28 days.

Anti-porn repression and moral panic will lead to less equality all round and more violence towards women and LBGT people. Censorship will definitely not lead to some glorious utopia of equality that our ridiculous opinion formers and politicians seem to believe. This sexual counter-revolution must be stopped in its tracks right now because it is dangerous and anti-women. Feminism needs to stop being so childish and one-dimensional. It needs to look further in to the human psyche when dealing with sex and develop a more mature attitude towards it.

So porn can be good for you. Please click the links and enjoy Ms Rachel Rabbit!

My First Strip

silhouette-of-stripper-on-a-pole_17-1120222452Once again, we are delighted to welcome our striptease correspondent Edie Lamort. You can follow her on Twitter here: @EdieLamort

Something occurred to me last summer after phoning up a radio talk show and commenting. It was in the wake of a Cornish policeman accusing lap-dancing clubs of increasing rape and the controversy it had caused. There were the usual prohibitionists on the line so I called to put the other side of the argument. I was trying to make the point that this way of thinking gave excuses for criminals and rapists. It allowed them accuse society and sexy women as the cause of their crime rather than to take personal responsibility. It also ran the old-fashioned narrative that the victim of rape is somehow to blame. Just a bit of good old-fashioned slut-shaming.

During the conversation, I had to keep asking the radio presenter to get back on to the subject at hand, because he was interested and wanted to know a lot more about the job. He asked about the money, the customers and how I felt doing my first strip. I gave some vague answers but was a bit puzzled as to why he was so intrigued about my first strip. It did make me wonder as it’s not the first time interviewers have strayed from the subject matter and quizzed me like this. They all ask about your first strip and to be honest I don’t really think about mine.

Why do they ask? I think it’s because there is a general perception that this job is not something you would choose to do and therefore you must have fallen into it or happened upon it. Do they think that one thing led to another, and before you know it, you’re on the slippery slope towards stripping? That it was forced on you and suddenly, before you could stop it, you were naked on stage? That it was not a personal decision? That you somehow took the wrong turn and did something you never expected to do? Or is it because we are all voyeurs? Even those who clutch their pearls and gasp, yet still want all the details?

I began stripping in San Francisco and it was a personal decision that I pondered for a while. I’m sorry to be boring but I am quite a pragmatic and analytical character. I ruminate on a decision for a while and I am not very impulsive. I am methodical about things and it takes me a while to settle on a decision. This is because once I do it is firm and I stick to it.

I decided to dance for a number of reasons, money obviously being one, but freedom and creativity being others. So I went to talk to a dancer that worked around the corner from the restaurant I was working in. I asked her many annoying questions and got lots of information about different types venues and where they were. Then I began a tour of the venues. Going into them one by one and telling them I was looking for work. They were all very nice and polite and showed me around. I spoke to the girls, watched stage shows and checked out the dance booths. They told me all about the fees and security protocols and how the shifts worked.

After this tour I decided on the venue I wanted to work at. I called them up and booked an interview with the house mom. She gave me a lot of advice during the interview and booked me in for an audition. She also gave me a few addresses of shops where I could buy my new work uniform; a long gown as it was an upmarket club, some T-bar panties (not G-strings – too crude apparently) and a couple of bikini sets. She then gave me dancing advice and we watched a few shows together. She explained floor work was important and to move slowly as it was more seductive. The whole interview process took a long time and I found myself getting a little impatient with it. I wanted to start work.

I returned the next week with my recommended outfits and settled into the changing room. I made up my face and put on the long red velvet gown over my underwear set and pasties. It was California over a decade ago and we had to follow strict protocol as you do in any licensed venue. We had to wear pasties over our nipples, along with the t-bar panties, and could only remove them in the last 30 seconds of the strip. Everything was quite controlled and tame really.

When I did my audition I was concentrating on the things she had told me to do, hoping I got the job. I chose middle of the road music and kept it fairly straight. The quirky, creative, more rock n roll part could come later. You don’t go to an interview in your wildest outfit after all. It was all over very quickly despite being about five minutes and my main focus was on perfecting my new craft. Moving slowly, feeling the beat, moving my hips and remembering all that poise I’d learnt in dance classes as a teen.

I got the job and was given a month of lunch shifts so I could get used to the stage, the dance and how it all worked. This next month too consisted of me learning the ropes, and that really was my focus, to learn my new craft and make it my job. Towards the end of the month the house mom came on to the floor during one of my lunch shifts and watched a few dances. She smiled and told me I’d improved a lot and seemed so much more natural on stage. This meant I could be moved on to a full rota, which would include evening shifts, and that I had passed my probation. This was great news because I had plans and savings goals that could now be achieved.

No one forced me to do this; it was purely a personal decision. I didn’t tell any of my friends, or colleagues from the restaurant, that I was doing it either. This was because I wanted it to be my decision and was worried that they would worry and panic, clouding my view and effecting my decision. Also it is not information that you can give to freely due to the social stigma so you have to be careful who you entrust with it. Even after I’d left my former job and started stripping, I gave some friends vague answers about ‘working in a bar’. I needed to make sure they would be ok and I wouldn’t get strange reactions. People will either think it’s disgusting, try to save you or ask a hundred bizarre questions. I was comfortable with the job but cautious in regards to the reaction of others.

Over time I learnt whom I could trust and began to be more open. The standard social narrative swings between ‘poor victim’ to ‘evil slut’ so it’s hard to have a normal and open conversation about this. That it is just people making a living. It is also people doing a lot of other thing besides dancing. You never know, you may work next to someone who dances at the weekend. Or one of those mums you chat to at the school gate so politely with, well she might have a pair of stripper heels in a bag ready to work. Or the friend of a friend that you think is really sweet may be checking in for her shift tomorrow night…

 

Why I object to Object (and all the other prohibitionist groups)

Our striptease correspondent Edie Lamort takes on the anti-sex “feminists” who attack and want to censor what she does. Edie is now on Twitter and welcomes discussion and feedback.

We live in an increasingly puritanical age. The party of the Noughties is definitely over and times are tough. Words such as ‘objectification’, ‘hypersexualisation’ and ‘pornification’ are thrown around in an accusatory manner. Like a baying mob in a medieval court crying ‘Whore’ or ‘Witch’ creating an atmosphere of fear and guilt. This lexicon of fear is now frequently drawn upon by our media in a childish effort to explain all our social ills but it doesn’t quite work. There is something amiss, something that doesn’t quite fit.

I am a stripper and I am told that my work ‘objectifies’ me and, as a consequence, all other women, but I’m always puzzled by this denunciation. It seems to be an immature and one-dimensional way of describing human interaction. When I’m at work I interact with all kinds of people as a human being. Of course some groups of guys are drunk and immature but most aren’t, that is more to do with group mentality than what they really feel about us. In my job I meet many people from all ends of the social spectrum and people react in different ways. How you view something is based on your personality and your life experiences. On the whole the audiences in strip clubs are fun and as a performer I enjoy playing up to that. If I am viewed solely as an object then why do the customers want to talk to me? This does not indicate ‘objectification’. Yes they are visually stimulated but we all are and I regard it as one facet of communication and understanding. We’ve all heard the statistic that over 90% of communication is non verbal. Human interaction and discovery happen on many levels so that of course includes the visual level. In a split second we make a multitude of judgments and opinions.

A key word here is performer and one reason why it is so important to stand up to anti-sex ‘feminism’. I strip but I also do other things. I have always been in bands; playing guitar and singing. I have performed Burlesque and been a session singer. I have been on tours of the country and performed at festivals, been on TV and radio and I am once again viewed on many levels. I am hated by some and liked by some, depending on their personal triggers. Some like the music, some are just checking out my cleavage. Some of the girls tell me I’m inspiring, others hate me and won’t talk to me. It’s more about them than me. I find it strange to say one form of performance is so very different from the other.

Censorship is dangerous and it has gotten to the point where my job now feels like a feminist statement. Something necessary and important to maintain. Stripping and all the Erotic Industries are like the canary down the mine in terms of freedom. If we go, you’re next. We are like the first line of defence and it worries me where it will lead. These ‘feminists’ are winding back the decades and need to ask themselves ‘where does this end?’ It seems very strange that they want to encourage slut-shaming. If stripping is banned and even made illegal then what will be the next target in their sights? Burlesque and Pole dancing are the obvious next steps along with Page 3 and music videos. Then what will be attacked after that? Edgy theatrical performance such as many Matthew Bourne productions? After all, they are sexual. Then will we regress back to the days were a woman couldn’t walk down a street with a short skirt because she’d be called a ‘tart’? If we go, you’re next; the walls will close in around you too, to the point where the prohibitionists will eventually find themselves in the cross hairs. Censorship is a dangerous road.

I find these anti-sex ‘feminists’ quite fearful and paranoid, in stark contrast to my stripper friends who are bold, witty and strong. If you can strut your stuff on stage and captivate an audience you most definitely have an ego! I know I certainly do. We are told we must have low self-esteem but in fact I hold myself in quite high regard. I’m not fashion-model-perfect, I’m getting a bit of cellulite and I have a varicose vein developing on my lower left leg but I don’t care. I still think I’m sexy and I know how to work an audience. I spend time practicing on the pole and making costumes; I want to be looked at and for my efforts to be appreciated. New art forms begin in the ‘deviant’ subcultures and it is where boundaries will be tested and new ideas will develop. It worries me deeply that these groups feel it’s OK to attack a female art form. Pole and neo-Burlesque have evolved from the creativity of strippers.

They attack those who are unrepresented as they are fearful of taking on real institutions of inequality. For example they tiptoe around tackling religion. Campaigning against a strip club is easy for a number of reasons. You have a lot of social prejudice on your side and many dancers also have other jobs, are studying or have family commitments. The stigma prevents them from speaking out, as they must maintain their cover. I know part-time strippers who are also doing office jobs, who are training as paramedics, who are working as nurses and in various other jobs. They are unable to ‘come out’ for fear of losing said other job. For this reason too there is a lot of ignorance about the dancers and the job, and it is easy for prohibitionists to prey on established fears and prejudices.

What groups such as Object do is polarize the debate and this again is very frustrating. It is thrown to either extreme of ‘ban everything’ or ‘save everything’. These groups have created an atmosphere where no one can raise any problems or ‘out’ any bad management due to the fact that it will be used as ammunition against all of us. This should be an issue of workers rights not a moral panic. If there are any problems, such as stage fees being too high, it should be treated as an employment issue. Fair working practices should be encouraged and enshrined in law, rather than a hysterical moralistic response, where the only solution given is an out right ban. I would encourage strippers to join a union such as Equity or GMB so the debate can be refocused on to workers rights.

Ironically their campaign reinforces an old and outdated view of women and if they succeed it will make things more dangerous. What can be achieved by censorship and winding back the decades? One of the most important social advances of recent decades has been the sexual emancipation of women and as a direct consequence of this; men, gay, lesbian and trans-gender people in our society. This is a very important step and one to be defended strongly against those who would take it away from us. Women’s sexuality and sexual expression is something that has always been feared and suppressed, and a woman challenging this is always derided. Remember Madonna in the 80s? She provoked outrage by being in command of her sexual self and expressing it.

This conservative view of women will drag us all back to a more uptight and dangerous society. One of the most dangerous things about the current crusade against strip clubs is the way that it perpetrates divisive ideology regarding women. Harking back to the days of women falling either into the category of ‘good woman’ or ‘fallen’, the Madonna or the whore, rather than many millions of individuals with a variety of needs and desires. This pseudo-morality makes life difficult and dangerous for those of us who are different and would fall into the ‘bad woman’ category. It also gives misogynists license to abuse and blame the existence of ‘bad’ women for their actions. The control of women’s sexual expression is at the heart of patriarchy and oppression, which is ironically what the prohibitionist ‘feminists’ want to do. If all strip clubs were banned tomorrow would that end rape? Definitely not. In fact it would be counter-productive as it would reinforce negative stereotypes and make sex more hidden and shameful. This is a social purity campaign dressed up as feminism.

In a recent article Kat Banyard of UK Feminista spoke in general about all the numerous things she disapproves of including the Dove commercials. The tone of her argument began more and more to sound like a condemnation of idolatry, the worship of images, with very religious tones. I think most people have more of a sense of balance than she gives them credit for. It ended up sounding like she’d prefer women to be covered or hidden, the thread of this thinking runs all the way back to religious controls, centuries back. This is not progress at all, this is a very old fashioned view.

There is also a very myopic obsession with females in the Erotic Industries and when you ask them about males they avoid the question. Difficult questions are always avoided by these groups. It is a moral panic that focuses only on women being looked at by men. What are their views on gay clubs that feature striptease? I have danced for gay women and there are male strippers. Why is this not attacked with the same vehemence? It seems to be very disproportionately aimed at keeping women ‘pure’ and a poorly concealed hatred towards heterosexual men.

The people who patronize us the most are in fact the ‘feminists’ who wish to outlaw us. If anyone objectifies us it is these people. Our opinions and decisions are not considered to be worth listening to. If any stripper, sex worker or adult film actress tries to explain the reasons they do their job they are told they are institutionalized, have Stockholm Syndrome or are too stupid to understand what they are saying.

When a small group of dancers went to parliament during the consultation of the Policing and Crime Act of 2009, that introduced the nil policy legislation, one of them tried to speak. She tried to explain to the panel that she enjoyed her job and was fine. She was displaying a contrary viewpoint that was incompatible with the ideology of the ‘debate’. This obviously riled the ‘feminists’ on the panel and they dismissed her opinions. Similarly on a radio show debate a dancer was dismissed with the comment, ‘Oh you must have been abused.’ If you do not parrot the correct ideology, you will be persecuted by these groups, and they can be very vicious.

The current left wing ‘feminist’ movement is something that dismays me and my experience of them has been shocking. Instead of being progressive and open-minded they have shown themselves to be infested with busybody, neurotic, hand-ringing, middle-aged, middle-class, academic ‘feminists’ who judge and prohibit. When was it that the left became so Victorian? How did that just creep up and where do you go from here? A few months ago I was speaking to a friend about this. She’s quite an extreme performance artist and she mused that there needs to be something new. ‘I don’t know’ she said, ‘something beyond what is now called feminism. I’m going to call myself a Femfuturist! Like a feminist but with out all the issues around sex.’

The Strippers Strike Back

Stripper Edie Lamort

Photo of Edie Lamort, courtesy Millie Robson Photography http://www.millierobson.com/

We welcome back our striptease correspondent, Edie Lamort, who takes a look at the history of the attacks on her trade in the UK, and the fightback by the strippers.

The bell may be about to sound for round two in the fight against censorship so before that happens dear readers let me give you a bit of a background; the story so far, of how this attack on dancers has evolved over the past few years. Before that we were working, studying, partying, creating and just living our lives like everyone else. Now we have had to organize, unionize and fight for our freedom. Here is the story from a Shoreditch point of view.

Once upon a time there were many strippers from all over the world working in London’s East End. There was a really nice combination of stage shows, private dancing, a good camaraderie between the girls and management and most of all lots of money to be made. This gave people freedoms they had never experienced before. People who’d come from nothing could suddenly buy houses, have holidays, study, buy a nice car and send money to the family in Brazil/Argentina/Ukraine/Middlesborough where ever. The new opportunities were wonderful and life was good.

The dancers were also talented, independent and strong willed. A lot of them very creative and unable to sit bored senseless in an office job all day. So they started experimenting with the pole and making up moves. Other girls saw this and copied them, shared knowledge and over time the strippers of the western world created a new and amazing art form. They became great friends because you stick together. In a world where most people will judge you harshly for what you do, you need to have each other’s backs. Maybe you get this level of friendship in the army too but you definitely don’t get it in office world. There is also an intimacy that comes with being in an environment where you can be open and free. When you are in a changing room with someone going, ‘Is this spot on my arse really noticeable? Can you have a look? Thanks’. So you peer at your friend’s arse, dab concealer on it and tell her not to worry.

The first time the dancers ever encountered the haters was over ten years ago. Mark our gay manager decided to have a birthday party. So he used Browns on the Sunday night, when it was closed to the public. There were DJs, bands and the hot Brazilian bar man did a strip for everyone. It was a great party. Then someone came in and said ‘hey there’s a protest outside!’ So we went out and saw Anna Van Heejswick and her nascent hate group Object shouting and waving their slogans around. The dancers started laughing at them and told them they had come on the wrong night, ‘hahaha there are male strippers here if you want to check them out!’ But the haters kept on shouting outside, on a cold November night.

No one thought about them for years, believing people wouldn’t be stupid enough to listen to such a group of extremists but alas. You think ‘oh most people are sane, extremist groups will just be laughed at and ignored’. Unfortunately this is not always true and we now find ourselves in a battle. Object had the ear of Harriet Harman MP and so a handful of people changed the law to the detriment of the many.

The first battle was in Hackney. No one knew about the nil policy consultation for a while until the owner of the White Horse found out about it. An East End matriarch born and bred, Sue had taken over the pub when her Dad retired. She was born and raised in Hackney, had seen the area change and gentrify over the decades, and now faced having the family business closed due to the moral objections of a few new, middle class residents. She was furious and sent the information to everyone she could think of. She started a Facebook group and within days all the dancers were as livid as Sue and began to fight back. Sue and Denise, the owner of Browns, got together with Thierry from the GMB trade union and organised a legal team. The dancers took over in terms of publicity, speaking and being the face of the campaign. They all knew that it had to be dancer led to counteract the patronising narrative that all dancers are ‘poor weak little victims of horrible wicked men’.

A few weeks later Xtalk and the GMB organised a meeting between the workers and the council. The meeting was attended by many dancers, bar staff, DJs, Xtalk and the GMB rep but only one councilor bothered to turn up to listen to the people they were about to make redundant. Then the dancers approached the Hackney TUC and won the unanimous support of everyone. The owners funded a viral video and the dancers organised a protest. ‘Giselle’ liaised with the police and they got the support of the Vicar of Shoreditch. They also wrote to the councilors individually and went to meet the local MP. Thierry the GMB rep said afterwards the councilors were astonished. They had never before received so many letters about a consultation, had never expected the strippers to react like that and were amazed to see a stripper protest outside the town hall!

Round one had been won but the dancers knew it was only the beginning. A few had been in Equity for a while but then more joined due to the fact that it had helped and the unions had supported everyone regardless of where they were members or not. It calmed down for a bit but then the prohibitionists started again in Tower Hamlets. A public debate was announced featuring a rogues’ gallery of the religious right and so called ‘feminists’ who would like us all to live the Dworkinesque nightmare. Immediately dancers began to protest and asked why it was being advertised as a debate when there was no one at all on the panel willing to defend the dancers? Eventually the organisers agreed to let one of the dancers speak and allowed one other person to accompany her. Hardly a debate, just a pathetic gesture.

The email went around, ‘who wants to go speak at this event?’. No one in their right mind wants to but someone has to. I volunteered and was allowed 5 minutes amongst the 3 hours of ranting. It was a shocking experience to see how politics works. A small group with an agenda and some funding create stigma and fear against an unrepresented subculture and use them as a scapegoat. This panic they create is then used to justify a change to the law and for more freedoms to be taken away. We are all aware that these methods are used but to see it in action is a truly shocking experience.

The consolation came and went and now the results have been suppressed. Could it be that it did not go their way I wonder? This has given the clubs time to consult with legal teams. The dancers then decided to organise an event called Dancers Speak Out, to start the fight back in Tower Hamlets. The meeting was held one rainy evening with speakers from the clubs and John McDonnell MP. Who pointed out the hypocrisy of Tower Hamlets borough endorsing Olympic sponsors Dow Chemicals, of Bhopal infamy, yet calling the dancers immoral.

The prohibitionists then moved on to Portsmouth were they are trying hard to close Elegance and Wiggle. Another recent target has been Leeds where religious and ‘feminist’ groups joined forces and sought to close all seven clubs in that city. Once again the dancers and club owners mobilized and fought for their jobs and for freedom. Supported in their campaign by Leeds University researcher Dr Teela Saunders, author of The Regulatory Dance. The licensing committee in Leeds then agreed to reissue licenses to all seven clubs, much to the fury of those opposed. Rachel Reeves MP was upset by this decision and worrying has proposed changing the law because she did not get what she wanted out of the democratic process. What is this strange thought process? ‘The vote didn’t go my way so I will ignore democracy and change the law accordingly’, which is a scary route to take. It also reminds me of the reaction of an older South American dancer two years ago in Hackney. When she heard of the nil policy campaign in Hackney she panicked saying, ‘This is the attitude of dictatorship! I grew up under dictatorship. I came to this country because there were freedoms and opportunity. What are these people doing?! This is the mentality of dictatorship.’

What will be the next chapter in this sorry saga? Without a doubt the Tower Hamlets fight will restart now the Olympics have finished. Coventry is consulting and Lancashire has just thrown out a nil policy bid. UK Feminista have been touring Universities preaching hate towards dancers and customers, and training students on how to close down their local strip clubs.

Most everyday people don’t know or really care about this but when you tell them they are usually shocked to hear about more of our freedoms being taken from us. Be aware that this puritanical backlash is simmering away and oppose it in your local area. This is censorship and it can only end in tears.

Pole Dancing and the Olympics

Another article from our striptease correspondent Edie Lamort: a stripper’s view of the Olympics, pole dancing and “objectification”.

ItStripper Edie Lamort was a working weekend for me and it coincided with the Olympic Super Saturday. There were only a handful of customers up until 10pm so we all sat there cheering on the athletes and watched Team GB row, run, jump and throw their way to Olympic gold. Girls in their underwear cheering and applauding for Jess, Mo and the rest of team. Then the conversation switched to the next day and the men’s 100 meters.

“Are you watching it?”

“Definitely!!!”

It seemed that most of the girls were planning on watching, to drool over the astonishing physique of the male athletes. So lengthy conversations flowed between ‘how amazing it would be to have a body like Jessica Ennis’ and ‘which discipline resulted in the best male body?’ ‘Is it the athletes? How about the swimmers? The boxers? Or the gymnasts?’ Now were we wicked women ‘objectifying’ these poor athletes? Focusing on their bodies rather than their feelings, opinions and stories? Having those very detailed discussions about the thighs, bums, shoulders and biceps of these alpha males at the height of their physical fitness. They use their bodies for their work and spend all their time striving for physical perfection. Is that a terrible thing?

Then it was time to ‘jug’ and go on stage. I went around and collected for my show, smiling and making small talk with the handful of customers, patiently waiting to watch some striptease. Small talk such as; ‘enjoying the Olympics?’

“Which ones?” asked a customer, “The track and field on the TV or the gymnastics on stage?”

Well thanks guys! It’s nice to know all that training gets noticed. All of us on the shift were pole dancers who stretch, train and practice our pole moves. We lift our body weight, do vertical splits on the pole, hang upside down from one ankle and hold on with one armpit. One of the girls I was working with is also a black belt kick boxer who trains three times a week and competes. She is an amazing ‘poler’ too with muscles I didn’t even know existed.

“Pole should be an Olympic sport,” said another group “It’s a form of gymnastics.”

The audience clapped at the end of the show, and also during the show, each time someone did an impressive move. From the incredibly posh boys in their suits and cravats, who had been at the rowing that day, to the rock ‘n’ roll-tattooed groups from the nearby council estate. These people appreciated the show we were putting on. There we only two idiots during that shift, one who I watched in amusement as he insulted the black belt kick boxer, and thought, ‘feminists’ worry about the safety of the girls but maybe they should be more concerned for the safety of the men!

The night before I had been at another pub in Shoreditch and the same conversations were happening. Screens at the side of the stage were showing athletics next to girls on the stage, doing gravity-defying pole moves. The female athletes were wearing tiny crop tops and hot pants, kind of like we do for the first half of our shows, before getting naked. I could see customers glancing from screen to stage making the connection. There was a particularly good set of dancers on that night including this year’s runner-up in Miss Pole Dance UK; a girl who is beautiful to watch and trains for a couple of hours a day, including an hour of stretching. Her shows are wonderful because it is the combination of aerial performance and the sexiness. As opposed to just a show of strength it also has the grace of dance and a stripper’s ability to be sexy. I admire her dedication to her training because I certainly don’t do that!

So as athletes performed on the track, strippers in London’s east end did shoulder mounts, hangback into half moon into bow and arrow, Aisha holds and vertical splits, flags and hand springs. Our mostly male, respectful audiences ‘get it’, those ‘feminists’ who wish to make us illegal do not.

Who ‘objectifies’ and fetishizes us? It’s not the majority of the customers in the strip pubs. What does that ridiculous word ‘objectification’ even mean?  Some of the bizarre questions and obsessional sanction we get from the prohibitionists verges on a weird kind of voyeurism. I love my art form and have recently added another move to my repertoire, which is exciting and very satisfying. I look forward to doing more training and getting more graceful. I like the feeling of health and strength, and I like my biceps, even though they may not be considered feminine. We are independent and strong women. We do not need to patronized or rescued. We need to be celebrated!

Feminism For The Few, Guardian-Style

Stripper Edie Lamort

Photo of Edie Lamort, courtesy Millie Robson Photography www.millierobson.com

Welcome back MoronWatch guest-blogger and Striptease Correspondent, Edie Lamort, as she takes on the Guardianista approach to “feminism”

Occasionally on those Sunday morning TV discussion shows, there will be a topic entitled ‘Has Feminism Gone too Far?’. A rather patronising title as no-one would ever have a discussion entitled ‘Have Civil Rights Gone too Far?’ or ‘Have Rights for Homosexuals Gone too Far?’ Better questions to ask would be something like ‘Why is Feminism so divided?’, ’Has Feminism lost its way?’ or ‘Why is Feminism Obsessed with Moralism?’

The recent resurgence in a certain type of ‘feminism’ has certainly polarised debate and alienated a lot of women due to its anti-sex stance. This has been pioneered by fanatical fright groups like Object who are given a voice by media such as The Guardian. The patron of Object is the ever-angry Polly Toynbee so this is not surprising. I no longer even bother to read what she writes as it is just so negative. The same goes to Julie Bindel, who seems to be so full of righteous rage and venom, that I can no longer bear to listen to what she has to say. Her recent tirade against Dr Brooke Magnanti was appalling and surely cannot be called journalism? Dr Magnanti’s response to this was far more magnanimous and reflected positively on her.

The article was entitled Brooke Magnanti Vs Julie Bindel so I clicked through, thinking it would be an interesting debate between two strong women, who both describe themselves as Feminists, but come from very different ends of the spectrum. I was shocked to read the one-sided, abusive rant from Julie Bindel and wondered why The Guardian would print such a thing. Why employ this provocateur to write in this ‘playground bully’ style? Isn’t this supposed to be a reputable paper?

Then I read the comments below, which generally condemned Ms Bindel’s bile, and realised how many clicks and comments this article had generated. Could this be the reason? As we know, many forms of media have suffered large revenue losses in the past decade, due to free online media and recession, so have to rely on dwindling advertising revenues. I wonder if the only reason they print these kinds of articles is to generate unique page visits and up the volume of clicks on their website? People always love a good cat fight don’t they?!

Imagine how much good this is doing for the web stats of the Guardian and how they can use this to sell their brand. When presenting the medium as a good place for advertisers to raise brand awareness, they need to demonstrate a healthy readership, who also interact with the medium, thus increasing advertising revenue. Call me cynical but it’s always worth looking at the financial angle. The prohibitionists and rescue industry have long been making careers and money out of the workers in the Erotic Industries. Stanley Cohen, in his groundbreaking book, Folk Devils and Moral Panics describes this phenomena as “deviance exploitation”. It is where the control culture financially exploits the current “folk devils”, supported by the tool of moral panic.

Another major contradiction in this paper is the question of who has the ultimate control over a woman’s body. The main theme of Feminism has been about women gaining ownership over themselves yet the Guardian takes differing stances depending on the debate. It depends who we’re talking about: women wanting abortions, those choosing to wear the burka and then those choosing to strip for a living.

In Guardian World the right for a woman to choose whether to abort or not is sacred. Fine within reason and I agree. The right for a woman to wear a burqa, as long as it is her choice, is not questioned. OK, banning an item of clothing is a silly idea and it can be argued that the symbolism of the burqa is changing. From the ultimate objectification; saying a woman is a black hidden mass, fit only for cooking, cleaning and breeding. (Full burqa only applies here because if you can see someone’s face you can see who they are.) To what is now sometimes a political stance, an anti-establishment gesture, especially in countries like France, that have banned the burqa.

However if you’re a stripper, your right to choose what you can and can’t do with your body, is forbidden in Guardian World! We must be roundly condemned as poisoning society and leading to the abuse of women. You will be told that you have been brainwashed and suffer from Stockholm Syndrome. To dance naked and celebrate feminine beauty is a betrayal in Guardian World. To enjoy and exhibit your sexuality is seen as ‘bad’ and ‘corrupt’.

I find this new slut-shaming ‘feminism’ ridiculous and unhealthy. I don’t want to be part of it. A feminist revival that alienates and denounces other women is not the kind of angry and divisive ideology I want to sign up to. They say Feminist, I say Witch-Finder General, stoking the bonfires of moral panic.

The Art of Pole Dancing

Stripper Edie Lamort

Photo of Edie Lamort courtesy Millie Robson Photography http://www.millierobson.com/

I’d like to welcome guest blogger Edie Lamort, our occasional striptease correspondent. Edie is a stripper and trade unionist who is defending her right to work, against a coalition of conservatives ranging from “feminists” to religious fundamentalists. You can also hear my interview with Edie in my podcast Strippers Are People Too.

As Tango developed in the brothels of Buenos Aires so Pole dancing developed in the strip clubs of the western world and is now an art form. A style of dance requiring a high level of fitness and flexibility, along with hours of practice and experience, just like any other form of dance. It has developed organically over the past 20 years in the strip pubs and clubs of the UK and else where in the world, to become a gravity defying, acrobatic and very impressive dance. Today, it is not only performed in Strip Pubs and Clubs but is now being incorporated into theatrical dance routines.

As a dancer, I remember Browns getting its first poles in 2000 and girls experimenting on the quiet shifts. Someone would figure something out and then show the others how it was done. You would then work it into your routine until you got comfortable with the move and it became second nature. As you got stronger and more confident you would start learning more and more moves, developed naturally, mimicked and modified. As people around the country and around the world began to develop this art form, it reached a natural critical mass, and girls started to name and categorise the moves. Instructional videos appeared all over youtube and strippers began to get work in gyms, at hen parties and dance schools. Some of the dancers set up their own businesses teaching the art to many others. The White Horse would open at 11am, before the lunch shift started at 1pm, so the dancers could work on routines and moves. Dancers began to get very serious about their shows and this resulted in the better performers getting booked by gay clubs and fetish clubs, and then mainstream clubs and summer festivals.

Pole dancing is a serious work out. Any dancer that has had a while off the pole will be aching and bruised the next day. Just like you would after a heavy gym session. Full time pole dancers are solid muscle, with fantastic upper body strength; in fact a lot of men make very good pole dancers due to the fact that they quickly build that upper body strength.

The group leading the anti-striptease campaign are called Object, here is a direct quote from Anna Van Heeswijk CEO of Object, in relation to the recent Hackney consultation;

“OBJECT’s petition etc. was to urge Hackney to set a nil-limit on Sexual Entertainment Venues (SEVs). SEVs are defined by the Home Office Guidance as:

“any live performance or live display of nudity which is of such a nature that, ignoring financial gain, it must reasonably be assumed to be provided solely or principally for the purpose of sexually stimulating any member of an audience (whether by verbal or other means).” An audience can consist of just one person (e.g. where the entertainment takes place in private booths).

It is further stated in the Home Office guidance that while local authorities should judge each case on its merits, SEVs would apply to the following forms of entertainment as they are commonly understood: Lap dancing; Pole dancing; Table dancing; Strip shows; Peep shows; Live sex shows.”

Now lets take a look at this statement and think about the implications of it.

Pole dancing – a form of dance/aerial performance art, using a pole.

Table dancing – a personal dance for an individual where there is no contact.

Strip shows – traditional striptease on stage after a jug collection

Peep shows – dancing in a room where the audience can only view your striptease after paying money in the slot.

Lap dancing – full contact dance where the dancer physically stimulates the customer by rubbing his ‘lap’ with her buttocks, breasts or legs.

Live sex shows – these obviously involve full contact and penetration and do not happen in licensed venues. They take place at ‘private parties’ and are unregulated.

From these definitions I would say that, apart from being sexy, there is a huge amount of difference between each performance and that they should not be lumped together in the same category. Pole dancing is a not the same as a ‘live sex show’ and should be classed as a performance not a sexual encounter. However this is the fundamental problem with the Policing and Crime Bill of 2009, everything is classed as a sexual encounter.

I find the line in the quote “…sexually stimulating any member of an audience (whether by verbal or other means)” very odd. It’s a kind of vague thought police statement. Physically stimulating an audience is a definition that is a lot clearer. Obviously this involves contact and therefore only happens with Lap Dancing and possibly, but not always, with Live Sex Shows. However verbally stimulating an audience could this be erotic poetry or stories? Byron or Sappo? It does after all say ‘any live performance or live display of nudity’ so could you have your clothes on and read an erotic novel out loud or is that to be banned? Or are they referring to the imagination and the verbal narrative that may be going on in someone’s head when they watch a striptease? As we can see this is a grey area and is also threatening Burlesque, Gay and Trannie clubs along with various dance troupes and theatre.

So In terms of interpreting these guidelines, what are we supposed to make of them? They are vague and could be used in a very arbitrary manner to shut down whatever you please for whatever reasons. There seems to be a lack of understanding by those who wrote the bill as to what it was they were actually legislating against. Although there was a basic consultation when this bill was being passed it amounted to ‘anti’ groups such as Object putting their case across and Peter Stringfellow, plus a handful of dancers going to Parliament. There was never any wide ranging consultation with the dancers. No desire to understand those who chose to dance and whether they were unhappy or happy with the situation and what could be done to improve things.

Likewise there was no attempt to understand the industry, how it has changed and to realize there is a difference between traditional East End strip pubs that have just a jug collection and a stage show and the newer lap-dancing venues. I personally prefer the former as they have that vaudeville/burlesque feel and I come from a performance background. They are fun and creative and have inspired many recent art forms. Some dancers prefer the lap dancing and are not comfortable on stage but we have been left without the choice after this legislation has grouped everything together as one. It appears to be legislation based on moral panic as opposed to facts.

The Coalition is unlikely to repeal ‘Harriet’s Law’ right now but it would be a good start if all pole dancers joined Equity. Pole Dancing should fall under a music and entertainment License, only true Lap Dancing and Live Sex Shows should be covered under the Sexual Encounters License.